Je Ne Sais Quoi

May 17, 2012 by Categorized: Earthly Rites.

I have been reading through a collection of Aldo Leopold’s classic nature writing, A Sand County Almanac as well as some essays from Round River. Leopold was a naturalist who appreciated the beings of the wilderness both as he relied on them for food and fuel, but also as autonomous animals, plants and places. One of the themes that has resonated strongly with me is that of poignant loss. Throughout his writings, he mourned the extinction of native species, whether from a particular habitat or in entirety. He wrote a remarkable eulogy on the extinction of the Passenger pigeon, and spoke the finals days of a solitary old grizzly bear that was the last of its kind on a mountain in Arizona. And, of course, there was his famous description of killing a wolf and her pup for no reason other than that they were wolves, and how deeply that affected him.

Ruffed Grouse. Source: http://bit.ly/Jlovfy

But none of these deaths and extinctions were taken in solitude. Each time Leopold provided a great deal of exposition illustrating just how intimately woven together were the single animal or species, and everything else in the ecosystem. Reading these leaves one with the distinct sense that we are only now realizing the extent to which extinction permanently affects a place, and that our new-found awareness is no consolation to the systems that have suffered such a devastating blow.

In one essay, Leopold speaks of particular animals holding the numenon of a place. The numenon, in this case, is the linchpin of a place’s identity–while the loss of any species changes a place, the numenon is one that especially carries the immeasurable, yet still perceptible, spirit of that place. In one case:

Everyone knows, for example, that the autumn landscape in the north woods [of Wisconsin] is the land, plus a red maple, plus a ruffed grouse. In terms of conventional physics, the grouse represents only a millionth of either the mass or the energy of an acre. Yet subtract the grouse and the whole thing is dead. An enormous amount of some motive power has been lost. (*p. 146)

And in the case of an individual animal, the grizzly bear nicknamed Bigfoot:

No one ever saw the old bear [on the mountain Escudilla], but in the muddy springs about the base of the cliffs you saw his incredible tracks. Seeing them made the most hard-bitten cowboys aware of bear. Wherever they rode they saw the mountain, and when they saw the mountain they thought of bear. Campfire conversation ran to beef, bailes, and bear. Bigfoot claimed for his own only a cow a year, and a few square miles of useless rocks, but his personality pervaded the country…[after his death] Escudilla still hangs on the horizon, but when you see it you no longer think of bear. It’s only a mountain now. (*p. 143-5)

Arguably the more charismatic animals, plants, and places are often seen as the most irreplaceable, when in fact all are important and often it’s the tiny ones on whose backs and stems the rest of the ecosystem rests. But if we look instead at the greater concept of the numenon as Leopold uses it, rather than just the individual species chosen for it, it’s a great deal like the Genius Loci, the spirit of a place. And all of the above are representatives of what gives a place its unique qualities, the je ne sais quoi, even if we can’t put a label to those qualities themselves. These are not quantifiable in the way that bird counts and the momentum of a waterfall are. They’re exceptionally subjective; it’s arguable that those of us who value a place for what it is create its spirit, while we cannot make a land developer or oil baron see beyond the cash value of the physical natural resources. It’s an aesthetic judgement, but no less crucial for that.

Steller's Jay. Source: http://bit.ly/KhD5oi

Hence, representatives. Or, perhaps, mascots if you will. They are as close as we may get to identifying the spirit of a place, and what we choose (consciously or not) to represent a place-spirit (literal or metaphorical) says a great deal about our relationship to that place. I find it unsurprising that the very first bioregional animal totem to contact me once I moved to Portland was Scrub Jay, as there were several of them living in the trees right outside my first apartment here. It’s not that there weren’t other animals, but the nocturnal raccoons, and the subterranean earthworms, just weren’t as noticeable. And over time, Scrub Jay’s boldness (and sometimes downright obnoxiousness) came to embody the things I love (and sometimes despise) about this city as I’ve gotten to know it better. In the same way, the more secluded but still charismatic Steller’s Jay was the perfect analogue out in the wilderness areas of the Columbia River Gorge. For me, Portland without scrub jays, and the western portion of the Gorge without Steller’s jays, would no longer be the places I have come to love, more than any other of the irreplaceable species here.

So here’s an exercise for you this weekend: think about, or even visit, one of your favorite places, wilderness or otherwise. Consider what the numenon, the place-spirit, the je ne sais quoi, of the place is for you personally, and what being(s) you would most sorely miss if they were gone from there forever. Whose absence would have the most impact? And why are these important to you? How does your connection to that being (or small handful of beings) affect your relationships with the rest of the system? Consider these, and move forward with them.

* Block quotes from A Sand County Almanac: With Essays on Conservation from Round River by Aldo Leopold, published 1986 by Ballantine Books, New York.

Wordless Wednesday: Ask the Stones

May 16, 2012 by Categorized: Natural Reflections.

You Have to Ask The Rocks

You Have to Ask The Rocks, by AlyssssylA


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Swimming the Sunlight

May 7, 2012 by Categorized: Natural Reflections.

Rays in the forest

Rays in the forest, by Greg Harder

I feel the wake of your coming. The slight swell riding the wind just beyond you, the current of your approach rippling in thick waves of sunlight and storm. We meet before we meet. We move the day, and the day gives way before us.

I’d walked a good hour through the woods before coming to my sitting rock. The more familiar paths, closest to the park entrance a few blocks from my apartment, were thick with undergrowth and brush. I knew my way through them only after weeks of exploring, recalling this fallen log here or the protruding rocks and a tangle of hanging moss that veiled that next turn. Now they felt almost too familiar, the closeness of the brush hiding the cars and houses only a few yards away, but not quite masking the noise of the city which still rose above the trees. And so, I moved deeper.

Deeper into the park, the woods opened up again, the paths were fewer and steeper along the northern side of the ravine, and the sound of the small stream at the bottom of the hillside was the only sound except for the occasional airplane overhead or the gently mercurial jingling of a dog collar, the murmur or call of the owner almost musical in the quiet air.

I walked for a good hour through this part of the woods, imagining how different it was from the urban and suburban landscapes I’d grown so used to. In the city, all obstacles are opaque — the stark, bricked walls of tall buildings, the tinted glass windows of cars and restaurant windows, the rusted metal and dulled plastic of trash bins and street signs — but what seems to be a clear path, is. The streets and alleyways might curve sharply or end abruptly, but as long as you can see where you’re going, you can usually get there.

The forest is different — its overlapping and intricate weave of branches and shadow, of stray spiderwebs and the silk or burrs of loose, drifting seeds. I kept to the narrow footpath along one ridge on the south-facing embankment, but my eyes, themselves like seeds released into the warm air, drifted among the trees, far away across the seemingly open spaces that live within the forest, unencumbered by the roots and twigs that would have snagged and snared my body. So strange, I thought, to be in the kind of place where my eyes might travel where my body cannot follow. And for a moment, I felt a wave of vertigo, as you might feel on a high bridge, or when gazing up into the night sky — when obstacles themselves are those things which are invisible, and the urge to step out into space surges from the soles of your feet up along your spine and pools in that center of gravity just above your wayward eyes.

Here is the rock, jutting out precariously into space as the side of the ravine slopes down into the damp belly of the forest below. Here is the rock of my body, heavy with gravity. The fingers of the wind are on my waist, wrapping me with the sounds of birds and the scents of spring blossoms, playing me like a maypole, swaying me like a sapling. Here are my palms, fingers gently spread and holding up the sky — the sunlight collects in the recesses of my body, hot dew seeping into my upturned palms with an aching burn, sliding down my temples, beaded like jewels along my collarbone. Here is the rock of my body, heavy with sunlight. I open my eyes on a world of misted blue, I walk across the open spaces of the afternoon air, where my body cannot follow.

As I walked home, the city blocks felt transformed — the air no longer transparent and taken for granted, the hard obstacles of buildings and moving cars alive and buzzing like fragile hives. With every movement, my sluggish and sun-soaked body seemed to lag behind, and in that brief moment between, spirit rippled forward to meet Spirit and broke gently, like a lapping wave, on the shore of the World.

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Nature Worshipers and Northern Pass

May 4, 2012 by Categorized: Nature in the News.

The First Amendment aside, historically nature worshipers have always been at a disadvantage in the United States. Our rights, and the rights of Native Americans who understand this on a generational level I never will, have been trampled on, ignored, and/or outright prohibited since the inception of this nation.

It seems Northern Pass is maintaining the status quo for nature worshipers.

Northern Pass is a proposed 180 mile corridor to bring hydro energy from Quebec to the electric markets in Boston and Hartford and potentially New York City. The corridor will enter the US in one of New Hampshire’s northern most tows of Colebrook or Pittsburg and end in south eastern New Hampshire in the town of Deerfield (map). Over 1000 towers, upto 140 feet in height, will be dispersed about every 800 feet to bring electricity to southern New England. New Hampshire will not consume any of the electricity traveling through our state.

Northern Pass will gobble up about 40 miles of the White Mountain National Forest and will disrupt the Appalachian Trail. It’ll also disrupt farms, forests, swamps, waterways, migration paths, the health of all the organisms living along the 180 mile corridor.

There are many elected officials in New Hampshire opposed to Northern Pass but those who represent me support it. I stated my reasons for my opposition when I called my State Representatives last year: the detrimental affects on the environment and health, the un-greenness of HydroQuebec, and because there are many places along the corridor where I worship. My comments about worshiping in nature where met with uncomfortable silence. Throats were cleared, feet were shuffled, and shoulders were shrugged. I explained one of the reasons I moved to this area is because of the abundance of Nature and how I work to bring Her back into balance. Each one of the three had something negative to say about my Gaia practices. I asked all three if Northern Pass would even *consider* putting a tower in the place where St. Paul’s now stands. Each were smart enough not to answer the question with a yes or no but I could tell I got them thinking, even if just for a moment.

In Canada, there’s a significant movement to protect the last two undammed rivers in Quebec (that’s the 2 out of 63!). A group of Innu are walking 900km to log their opposition to damming up the Romaine River for HydroQuebec’s profit. Here is a perfect example of Nature worshipers losing their rights to worship — and their way of life since where they live will likely be flooded — as they see fit! Tribes in New Hampshire are starting to coalesce into formal opposition of Northern Pass but Pagan groups have yet to get on board.

There are some really great non-Pagan groups working on getting more people educated about Northern Pass. Hands Across NH is a grassroots group working to create an event later in the summer to show opposition to Northern Pass. Live Free or Fry discusses the health ramifications of such large towers and power lines. Trees Not Towers and No Northern Pass both provide routine updates. Twitter, of course, also has some no Northern Pass people who tweet including @handsacrossnh and @nonorthernpass1. It’s time, I think, for Pagans in New Hampshire and around the world to start paying attention to Northern Pass. As I’ve stated before, it is our Keystone XL. If Northern Pass isn’t approved by the New Hampshire Legislature, the plan could easily shift to the east to go through Maine or to the west and go through either Vermont or New York.

Northern Pass has become my topic du jour. It’s the only thing I talk about to friends, family and those I worship with and I’m sure they’re getting sick of hearing of it. However, since the consumers of HydroQuebec’s electricity will be in Massachusetts, Connecticut, and possibly New York, I feel it’s my obligation to Mother Earth to get the word out to those living in areas that will be consuming this electricity but whose landscape and way of life will remain unaffected. Do you feel the same obligation?

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Grieving For Our Losses

May 3, 2012 by Categorized: Earthly Rites.

Back in March, I went to visit my parents in Missouri. While I was there, I was horrified to find that the first little patch of scrub woods that I considered “my territory”, as it were, had been completely bulldozed and turned into a pharmacy. There wasn’t a single bit left. What made it worse was that I had intended during this visit to pick up a few more physical traces of the place to go with the pine cone from there on my place altar, because I knew that at some point there’d be no more chances. I guess I was just a little too late.

At the time, I did some immediate processing to try to work through my shock and pain. I wanted to reach out and know that I wasn’t alone in that feeling of deep loss for this place. Since then, I’ve slowly and carefully been uncovering those feelings. I haven’t done a full funerary rite just yet, but the potential is growing.

I keep finding myself going back to my ecopsychology shelves for supporting material in this process. I feel like so much of neopaganism is about hearkening back to places across the ocean, or abstracting places and things into spirits and deities. While the totems and gods have places in my path, this raw, visceral pain calls for a more immediate, physical connection. That place that died is not the place of Artemis, or of totems, but of a child’s wonder at an emerging butterfly and pieces of sandstone that sheltered garter snakes, of poplar trees reaching past the power lines overhead.

So I find inspiration in things that have spirit, but are not necessarily dealing with literal spirits, like the Altars of Extinction project spearheaded by Mary Gomes, a well-known figure in the field of ecopsychology (but also published in Reclaiming Quarterly). In this ritual project it is species, not spirits, that are remembered and called upon. Altars are built to creatures driven to the edge and over, whom we will never see again on this earth because of our excesses. These are centers of grieving for these losses, for the physical animals and plants gone forever.

And I look to the writings of Joanna Macy, whose engagement with collective and personal grief began with protesting against nuclear facilities, but expanded into a greater understanding of how we as individuals and communities feel the loss of the world around us. While all of her writings that I’ve read have been inspirational, I continue to be awestruck by the Council of All Beings ritual that she co-wrote. Again, it is the physical beings that are mourned. And our feelings of being overwhelmed and powerless in the face of so many traumas on a global scale as well as personal are also approached with care and compassion.

I do not say this to speak as though compassion and grieving, and connection to physical beings, have never had a place in neopaganism. But it seems sometimes that many of us spend so much time with our heads focused on what’s going on in the spirit world, waiting for a sign or symbol from another plane, that we get a bit detached from this one. And in the same way, the dominant American culture, that informs so much of American neopaganism, does not offer a place to grieve for the loss of places, of species, of entire systems. I see a lot of “celebrate nature and its cycles” rituals, and I occasionally see places for pagan funerary rites and the like. And I know other individual pagans have suffered similar losses, from the overwhelming sympathy I received when I wrote about my own grief.

But there’s a decided gap in overarching American neopagan spirituality when it comes to grieving greater systems and patterns, and it parallels a similar gap in the dominant culture. We don’t talk about grieving for the environment, perhaps because we’re conditioned to approach the problems from an analytical, let’s-find-a-solution perspective. We’re expected to remain constructive about it all. We don’t have a setting where it’s okay to cry ourselves to pieces over the imminent extinction of many of the wold’s big cats–or some of the most vulnerable little plants. If we treat the loss of a place as being on par with the loss of a person, we’re often seen as having unusual priorities, or being “too sensitive”, or even not caring about people enough.

Perhaps I’m suffering from tunnel vision, though. Maybe I just haven’t been seeing the discussion and the practice of grieving for places and species and ecosystems in neopaganism the way I’ve seen it in ecopsych. Am I missing something? Do you, dear readers, have resources and angles I haven’t found? You gave me a pleasant surprise when so many of you resonated with my loss of my sacred childhood place–perhaps you’ll show me that there’s more going on in intesive grief-work in neopagan spirituality than I had thought.

In the meantime, I continue to meditate on my loss, and to contemplate how I want to move forward from it. There will be a place and a time set aside, when the right place and time come together.

Postscript: The photo below is of the creek near the place where I moved to next, across town. This place still exists, albeit in a much more heavily developed form than when I met it two decades ago. I have no pictures of the place I lost, and there are no photos that I know of that show it as I knew it, as by that point it was an isolated open lot next to a dilapidated apartment complex, and no one else seemed to particularly care about it. But I wanted to leave at least a little beauty at the end of this, as it was difficult to write.

Lupa, 2010.

The Last Days of Pangaea

April 30, 2012 by Categorized: Restorying the Sacred.

Pangaea was a supercontinent, and it knew it. In fact, Pangaea was the most super continent, and it knew that, too. Islands? Tiny. Atolls? Please. If you couldn’t be a supercontinent, you might as well not be above water at all.

“Never mind Pangaea,” the mantle told itself. “We’re far bigger than any continent, and our convection does important work moving minerals around and about.”

Pangaea scoffed. “You may be bigger,” it said, “but who can see you? And your convection is so slow, who knows it’s happening?”

a of the supercontinent Pangaea

Pangaea, via Wikimedia Commons. Some rights reserved.

But the mantle kept its convection currents moving, heating and cooling Gaia’s minerals, and it didn’t pay any mind to Pangaea’s taunting. It knew that Pangaea wasn’t the first supercontinent, and it probably wouldn’t be the last. “Supercontinents come and go,” the mantle said, “but convection perseveres.”

One day (and Gaia’s days are very long, indeed, as we know), Pangaea looked at itself and noticed a rift across its middle. Because Pangaea was so big, it was acting like a giant lid that prevented Gaia’s heat from venting, and that head was causing Pangaea to buckle and break. “Well, it’s just a scratch,” it said. “I’m still a supercontinent. In fact, I’m the only supercontinent.” And it went about its life.

But the rift got bigger, stretching day by day across Pangaea’s middle. And as if the crack itself weren’t bad enough, the convection currents were starting to pull the rifting pieces away from each other. Pangaea had no idea what to do. It was the biggest, baddest, most important landmass above water. What would it do if that were no longer true? Who would it be if it wasn’t Pangaea anymore?

“Mantle! Mantle!” Pangaea cried. “I’m breaking apart! Can’t you stop your convections?”

“I’m sorry,” said the mantle—and meant it. “But I have important minerals to transport. I’m sorry it’s changing you.”

It was changing Pangaea; anyone could see that now. At last, with a long, mighty heave and groan, a piece broke off, and the convection current began to carry it away.

Pangaea’s heart broke with its crust. It was no longer the most super continent above water.

But then Pangaea looked around. It could see everything that its parts could see. New views! New perspectives! Water rushed in to fill the hole, creating new oceans. The surface of the planet fractured and transformed, kaleidoscopic, breaking up old ruts and making way for change.

Pangaea smiled, and its slowly drifting parts smiled, too. It was no longer a supercontinent, but it was all continents. And that was super, too.

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If These Walls Could Speak… • Justine Riekena

April 25, 2012 by Categorized: Natural Reflections.

There is Warmth Within Her Walls, by Justine Riekena

This essay is a written tribute to our ailing, century-old barn which is in desperate need of the healing hands of a caring, competent doctor/contractor. Impotently, we watch her crumble and slump under her own weight. With sadness we listen to her sighs, creaks and groans. She is entreating us — entreating anyone — for support, literally. Not unlike a family awaiting the blessing of an organ donor, we wait, hope and beseech the universe for her rescue.

One of the most awkward aspects of animism — for me anyway — is accepting that sometimes I have a very strong, personal connection to an “inanimate” or “object-person” of human origin. Of course, this can manifest in as many forms as there are manufactured entities in this vast and diverse world of ours. One familiar version of this is the rapport built up with an automobile, motorcycle or bicycle. Humans like to name cars and bikes. We enthusiastically describe how they purr, we speak of them as companions and we curse them when their parts or engines fail. Most folks seem to have a very clear sense of their vehicle’s temperament, its personality, its spirit. It is a widespread and socially acceptable relationship. However, other associations of this sort are not so readily embraced.

As I reflect over the course of my life, I have noticed a tendency to bond with structures; our human shelters and sanctuaries, our nests. In fact, my only experience with the phenomenon known as “love at first sight” was with the house which my family inhabits today; a modest, one hundred year old homestead built by polygamist pioneers. Each of this home’s adobe bricks was formed by hand and fired in simple, charcoal kilns. It has the faintly crude, imperfect, organic beauty possessed only by that which is hand-and-home made.

I first saw the house in a real-estate flyer on a counter at work, its image poorly photocopied in black and white as is the standard for publication in a remote, rural town. The picture whispered, “We belong together… you and me…” This, of course, was an absurdity for a young woman living in her parents’ home, earning minimum wage with zero savings and no particular plans for the future. But I was smitten. No, crazed. “Where is this house?!?” I asked my co-worker. It was an impulsive, desperate question. At the end of the workday, I went home — not to my family’s house, but to my true love. There it stood in the desert heat, five years empty, dilapidated and overgrown — waiting for me to come home.

I must have appeared quite mad, creeping about the yard, peering into the windows, whispering and chattering away to this aged stack of bricks and ancient lumber. I was not mad, just wrapped up in a deep affection; a very basic, animistic attachment. Instantly, we had reached a familiarity, an accord of beings. I felt a desperate need to join lives with this structure, this building, this house. There was nothing to be done but to find a way to be together.

Never would I have imagined that today I would actually be writing from the shelter of its thick, protective walls, recalling the day when our spirits first met. Never could I have imagined the stories, history, secrets and memories this home has to share. Nor would I have believed that one day, while washing the smooth horsehair plaster in the stifling heat of this yawning desert, I would pause and press my cheek to the cool skin of these walls, just to listen to its heartbeat. Have you felt this too?

This is not the only building with which I have felt an empathy. Years ago, I lived in a tiny cottage in a New England forest. Once a vacation cabin, it had since been converted into a student rental. I adored the tiny hut, but it returned my adoration with a noncommittal, unsentimental attitude. My impression is that it was ungrudgingly returning to the Earth (as evidenced by much rotting, sinking and mildewing). It never had any solid investment in providing shelter for an endless stream of transient humans. Why should it when there was a beckoning forest and so little reciprocity from its ephemeral residents?

I was also drawn to an enormous, aching Victorian in Vermont. However, it was so terribly downcast that, like many depressed individuals, it seemed to sleep most of the time. Steeped in tobacco smoke and sadness, it bore the resignation of a long-term captive and curled up on the hillside to sleep away the years. I longed to rescue it, but that was not to be my role in its life. There have been many other buildings that have touched me in some personal way. Not all have been structures I have inhabited, nor has the relationship always been amicable, just consistently animistic.

What is the source of a structure’s spirit? I tend to think that it is somehow kindled during its creation. Or, maybe an autonomous spirit (possibly several?) takes up residence during construction. Perhaps this is why new buildings seem very much like newborns, still waiting to develop their singularity, their persona. Of course, this is pure speculation. It could be that what I perceive as the spirit or soul of a building is simply the lingering vibrations of its human occupants. Following this line of thought, older homes would naturally have a greater accumulation of echoes from the past and thus, stronger “personalities” or “atmosphere.” As an animist, I am not inclined to champion that explanation, but I do believe that occupants have a powerful influence on our structures’ moods.

There is frequent discussion in Pagan circles about honoring “the land.” Are our homes and other structures not part of this? Whether we “own” them or not, shouldn’t we aim to treat them with the same regard we have for the other significant persons and places in our lives? These structures shelter us when we sleep, provide us with work space, a place to create memories and a safe-haven for our material goods. They are central to our livelihoods. How sad it is when we forget, ignore and neglect them. How sad it is when we take better care of and maintain healthier relationships with gadgets and vehicles than with our sanctuaries. How sad that they can become so disposable. Shouldn’t we preserve and watch over them as they do us?

If we embrace the idea of our homes and other shelters as object-persons, how can we best honor them? Obviously, considerate care and upkeep (within the constrains of ability and means) are fundamental. Do you tend to your shelter’s inside and outside as you do your own person? When you move, can you say you left the place better than you found it? If you are a homeowner, do you consider the building’s character when making changes to it? Do you ask the house what will best reflect its true nature? There can be no harm in taking a moment to kindly ask a structure for its input. Perhaps you will find yourself pleasantly surprised by the response.

Structures are our partners and like any other partner, living with kindness and respect is important to honoring them. But buildings are special in that living with kindness towards all the other persons who inhabit their space is also important. How do we live within their walls? Is there an echo of laughter in the halls and an abundance of love throughout? Or are worry and anger literally darkening the doorstep? Our character, how we conduct ourselves in their space must be considered as part of our relationship with our structures.

If these walls could speak… oh, but they do! Here is an opportunity for a deeply gratifying relationship. Talk to them. Care for them. Like gardens, our dwelling places and other structures tend to return our investments and reflect our commitments. They have companionship and refuge to offer, chronicles and tales to tell. In cultivating these relationships, we awaken spirits — theirs and ours.

Postscript: This piece was something of a last-ditch, desperate entreaty to the universe/anyone who might listen. As I wrote and re-wrote, I worked it over and over, like a chant, a prayer. All my will and last vestiges of hope were released when I sent the draft away for editing. The following week, after a two-year hiatus, our contractor reappeared and positioned the most critical supports — just in time for the windstorm that very well may have been the end of her. This barn, lifelong companion to the house in my story, now has a future. I offer my deepest gratitude to Those who were listening.


Justine Riekena is a mother, mycophile and unabashed animist. She affectionately calls her very personal permutation of animism “Sciento-Paganism.” She is eternally thankful to the University of Massachusetts, Amherst for her initiation into the Pagan community as well as her degrees in Physical Anthropology and Wildlife and Fisheries Biology. All three have served her well, in unconventional ways. It is her good fortune to live two unconventional lives: half the year, wandering the boreal forests of Alaska as forager & mycophile and the other half rambling across the high deserts of Utah, relishing places with bones, stones & other treasures. Being faintly feral, she has a proclivity for the Moon & anyone with hooves, while most of her muses shed spores. She sometimes uses the name Moma Fauna, not because she is into magickal pseudonyms, but because it is a reminder of the mother & creature she aspires to be. Her frequently tangential writings can be found here: Pray to the Moon

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Wordless Wednesday: Green

April 18, 2012 by Categorized: Natural Reflections.

jack-in-the-green-2011-016

Jack in the Green, by Dean Thorpe


Green Man

Green Man, by Tina Negus


Clun 'Green Man Festival' Shropshire (May 2009)

Clun ‘Green Man Festival’, by Simon Tamworth


Green Horned Man

Green Horned Man, by Greg Harder


Share your nature photography and artwork on the Pagan Newswire Collective Flickr group. For more information, check out our submission guidelines.

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A Few Thoughts on Plant Totems

April 16, 2012 by Categorized: Earthly Rites.

In my years of practicing totemism, I’ve noticed that it is much easier for we human animals to connect to other animal beings. And we are especially biased toward those animals that more resemble us—mid-sized, erring on the side of larger, mammals, very often carnivores or omnivores. If we deviate much, it’s usually to birds, our living dinosaurs. Reptiles and amphibians are rarer, and if you want to get into the downright exotic work with a fish or an invertebrate. (Rather sad that the greater portion of animal life forms in the world can be boiled down to the one word “invertebrate” in this case.)

"Dryad" - photo of Douglas Fir log by Lupa, 2012

Still, we recognize in animals something of ourselves. I recently watched with great fascination a three-part series called Walking With Monsters. This featured the struggles of animal species prior to the dinosaurs, and focused especially on those animals that would eventually evolve into us. Even those species alive today who deviated far away from us early in the ancestral tree still share common ancestry, and we resonate with that.

But animals are not the only, or even the most numerous, living beings on the planet. Plants outnumber us, and represent an entirely different lineage (other than the very earliest sparks of life from whence we all came). The biology of a plant is very different from our own in every aspect, from how they gain nutrition to their manner of reproduction, and even the molecules they absorb from the air. Perhaps it is this seemingly alien nature that makes it harder for us to relate.

And perhaps it’s because we take them for granted, too, that fewer of us work with plants as totems, as opposed to a few dried herbs in a spell or magical pouch. Plants are all around us. We can see them, plant them, even destroy them with relative ease (kudzu not withstanding). But animals—those are more fleeting, especially those in the wild, and moreso those larger, shyer beings that can only be seen in their territory if we take ourselves far away from our own. Even professional nature documentaries are made of the tiny fraction of the camera crew’s entire time and film—most of it is waiting, and traveling, and too-brief glimpses.

So we focus on the lions in the savannah, and ignore the grasses and trees where they lie in wait for their prey. We hike in the forests in search of wild birds to photograph and count, but the canopies in which they sing and nest are often given little notice. And in the same way we overlook the totems of plant species while working with the animals. Who ever talks to the totemic White Sagebrush while smudging with the pungent dried leaves of one individual plant? And what of Douglas Fir, whose children line the Columbia River Gorge and further? And what of the totems of cooking herbs, and garden plants, all of which we rely on to live?

Pacific Trillium. Photo by Lupa, 2012.

I admit I’m guilty of this, too. I’ve only more recently, since starting on a more formal shamanic path in the past few years, been looking less at animal totems as detached, floating spiritual beings to call into a ritual, and more as part of a vibrant spiritual community containing not only individual spirits, but archetypal totemic beings, of animals, plants, landforms, and more. I’ve written about my relationship with Fir, but because so many of my plant totems have been silent totems—perhaps more due to my doing than theirs—I haven’t had as much understanding of how I work with them.

But I am more and more an adherent of bioregional totemism, which takes totems in context, just as animals exist in an environment that is just as much alive as we are. And so while a lot of what work I have done with plant totems is still quiet and personal and not ready to share yet, I have been taking the time to extend my own awareness and cooperation beyond those of flesh, bone, eyes, and the intake of oxygen.

Following the Trail of the Lord of Animals part 2: First the Temple, then the City

April 13, 2012 by Categorized: Columns, Fur and Feather.

Author’s note: Part 1 can be found here. Also, I lied; it might take us a while to reach the classical era. Word count limits and history being so fascinating, why rush?

 

“First came the temple, then the city.” ~ Dr. Klaus Schmidt of the German Archaeological Institute

 

If the peoLion man photople who created cave art carved, moulded or sculpted the male form, we don’t have much evidence of it. We have found many a little venus statuette. I am sure you are familiar with them, dear readers. A possible masculine representation is Löwenmensch, a statuette of a therianthrope with the head of a lion. The gender of the lion-person is uncertain even amongst the experts. It’s entirely possible that the artist did not intend to portray gender at all.

Why were our ancient ancestors driven to portray part human, part animal images? What Mystery did this art represent to them? Are we looking at ancient recordings of the first forays into the Otherworld? Are they representations of how man felt himself to be part of the animal kingdom, at one with the world? Were these truly their gods?

It was a long road from forager to farmer, much of that road is still shrouded in the mists of time. We find our man-animal again in art of one of our first great monuments.

In what is now south-eastern turkey we find what may be the oldest known religious structure built by man. Göbekli Tepe (which means Potbelly hill in Turkish) is possibly the first piece of architecture constructed by man that was greater than your average nomadic hut. The people who built Göbekli Tepe were still hunter-gatherers; they had not yet invented the written word, agriculture or even the wheel. These people had no beasts of burden, they had only stone tools. Yet somehow they came together to build a complex so large and beautiful that it astonishes archaeologists and has changed how we think the birth of civilization came about.

The complex was inhabited and added to over the course of generations, but the main temple was built approximately 11,600 years ago, seven thousand years before the Great Pyramid of Giza and Stonehenge. It is in fact, older even than the civilization of Sumer and Çatalhöyük.

“Göbekli Tepe is the oldest known example of monumental architecture—the first structure human beings put together that was bigger and more complicated than a hut. When these pillars were erected, so far as we know, nothing of comparable scale existed in the world.” ~ Charles C. Mann

 

It seems as though people came together to build a massive temple over the course of generations. The people of Göbekli Tepe were still hunter-gatherers, the archaeological record shows little to no sign of the domestication of animals. It does seem however, that the people who built and worked (or worshipped) in and around Göbekli Tepe did create some settlements. While similar sties, such as Çatalhöyük, show us that people were building settlements and giving up a nomadic life following the herds, the people of Göbekli Tepe were among the first to that we know of to construct permanent, massive, stone complexes.

 

“Other sites with comparable findings are Çayönü, Nevah Cori, Jerf el ahmar, Tell Abr, and Tell Qaramell … Göbekli Tepe is of a similar date, but it very different in comparison with these sites. It is unique not only in its location on top of a hill and in its monumental architecture but also its diverse set of objects of art, ranging from small stone figurines through sculptures and statues of animals to decorated megaliths, all of which set it apart. Göbekli Tepe is not a settlement; it is a mountain sanctuary.” ~ Klaus Schmidt, the Oxford Handbook of Ancient Anatolia: (10,000-323 Bce)

 

We do not find Gobekli Tepe 2our horned deity here, though there are some therianthropic images. Many of the pillars seem to be wearing necklaces, belts and loincloths, while also depicting animals such as foxes or snakes. Many of the animals portrayed at Göbekli Tepe seem to have intelligence, as they gaze at us from their stone pillars. In this, they remind us of the painting and engraving found in Old Stone Age caves. Could it be that some kind of man-animal god was worshipped here? Perhaps animals themselves were the focus of the builder’s religious devotion?

After 4,000 years of work and worship at this site, the people of Göbekli Tepe filled the site, burying it in sand and debris and seemingly walked away from it. We cannot guess as to their reasons why.

 

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