Our Planet, Our Home

June 18, 2013 by Categorized: Earthly Rites, Fur and Feather, Natural Reflections, Restorying the Sacred.

 

Photo Credit: Tyler Nordgren

 

 

 

 

 

 

 

 

 

 

 

Our planet – Our home

Sea waters – Land loam

Crawl, Walk, Swim and Fly

 

Within the ancient vast wet

did slowly beget

motion of a different kind

 

Green some grew,

bringing air that blew

Shield and breath above

 

From floating to crawl,

onto dry earth did haul

beings that took a chance

 

Within dead grew life

Strength and Strife

To adapt meant to go on

 

Adapt we did

and now are amid

others that did the same

 

Our planet – Our home

Sea waters – Land loam

Crawl, Walk, Swim and Fly

 

by Rua Lupa

 

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Sacred Defiled Places

June 8, 2013 by Categorized: Natural Reflections, Restorying the Sacred.

The Witch’s Craic by Sir Hectimere

Last weekend I had the privilege to participate in a spiritual retreat at my UU church. The first day of the retreat there was a lively discussion about sacred moments. It turns out that a large portion of the group had been to Hana, Hawaii. Listening to each person’s story, it became evident to me that the key feature of each was the place. It got me to thinking about a profound sacred space I stumbled upon during my service in the military.

I was stationed in Italy, and during an excursion to the mainland, I broke away from the group and began exploring a small city on my own. The city had been built around this large hill, and my curiosity as to what was on the top of that hill grew unbearable. I began winding through the streets, getting closer to where the city ended and the foliage began. Towards the threshold between the city and the rest of the hill was a small cathedral. I remember the sense of awe as I stood within the marble structure and gazed as pink light splattered through stained glass upon marble statues. On one side were representations of Catholic saints, and on the other side Roman gods. I found this peculiar and interesting, and somehow more determined to explore the hill.

I left the cathedral and began on the winding path into the hill side. The vegetation was lush and the green canopy of leaved branches protected me form the Mediterranean’s summer sun. With each step the land felt more alive and thriving. Yet a solemnity hid within archways and caverns that scattered along the way. I dared venture into some of them, but only a few steps and the darkness overwhelmed me and I hurried back out to the shaded canopy of the road.

On the top of the hill was a small museum. Unfortunately, my Italian was poor, and I could not understand what it was about. I later brought a friend with me who spoke Italian. He said the museum was dedicated to the temple of Apollo. My friend also said the place was used as a torture chamber during Mussolini’s rule. This explained the strange mixture of the sacred and the defiled I sensed when first exploring.

While telling my story, the minister picked up on the mention of the sacred and defiled, and said they often come together. I now think about the moments where I have stood on blood soaked ground here in the Palouse, where both Nez Perce and Euro-American blood were spilled. There are often two sides to the story depending on who is telling it. There is the narrative of the glorious expansion of manifest destiny on the Euro-American side, and the tragic loss of life in defense of their home on the side of the Nez Perce. To the local Euro-American culture these places are forgotten, but to the Nez Perce traditionalists the sacred and defiled are a potent mixture that cannot be ignored or forgotten and which they draw power from.

Since we are called No Unsacred Place, I thought this topic particularly relevant to our discussions. In the tradition of Cartesian dualism, western society often views the sacred and defiled as being on two ends of a spectrum, leading to the assumption they are mutually exclusive. However, as my experience teaches me, they co-exist in the same place and even harmonize together to create awe and power of their own.

What are some of the sacred defiled places you have encountered?

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For None but Itself

May 24, 2013 by Categorized: Restorying the Sacred.

I approach the water carefully. The path is steep and covered with loose rock cover. Never one of Nature’s most graceful creatures, I am especially cautious here. I stick to the trail today. Though it’s hardly the thickest wilderness beyond, suddenly the trees overwhelm me with their thick, unruly exuberance.

Many of us raised in Judeo-Christian traditions inherited a lesson of “Nature for us”. God gave humans dominion over the plants, animals, waterbodies, mineral resources, and airspace of Earth, and as long as our actions furthered God’s glory, we were free to do with those other beings as we saw fit. Even those of us who embrace an ethic of Nature reverence as part of our Paganism sometimes struggle to break the habit of seeing Nature as our own neverending supply store. Every Pagan book I’ve read that deals with plant magic exhorts me to ask a plant’s permission before harvesting any part of it for spellwork, but few entertain the possibility that the plant might say no. And how many of us have found ourselves hurt or surprised when a flesh-and-blood individual of an animal we consider a spirit guide disdains or runs from us–or even hurts us? We sometimes act like the coolest kids in school, never considering that anyone wouldn’t want to join our cool kids’ club.

photo of a steep path to a river

Chopwell – Path to the River by immarkcz under Creative Commons, 2008. Some rights reserved.

And so I choose the steep, rocky path to the river, though I know of flatter, easier ways nearby. Being forced to approach this ancient and powerful Mystery slowly and uncertainly helps me stay respectful and reverent. When I come to the Mississippi River by a tricky route, the need to concentrate on not falling on my face pushes all other thoughts from my mind, and I arrive focused solely on the river, on how long it has been here before my feet needed a path to it, and how long it will be here after.

The sacred places in our lives are not here for us, but they are part of us, and we are part of them. If we approach with reverence, humility, attention, and care, if we see ourselves as co-creators of the Story, not just its tellers, we can develop and deepen a relationship which sees each life as both whole unto itself and interdependent on all other lives for survival. We can take what we need without entitlement and give back what is needed from us without resentment. When we can be partners with those other lives around us, we can approach every interaction with reverence and respect, no matter how steep the path.

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Cultural Quandaries: We Are In Space

March 4, 2013 by Categorized: Earth Matters, Natural Reflections, Restorying the Sacred.

Earth and Sun from Space
(Image Credit: NASA)

This is a continuation of the “Referencing the Sun” post. Many views were expressed there after and some excellent points made. This post will take the extra step out to describe the bigger picture of our relationship with the cosmos, and hopefully better describe what I had been trying to express before with better understanding thanks to the responses made.

Many have expressed that speaking of the sun rising and setting is completely fine in that is how it appears to us on earth. This takes a very regional outlook, you are here and this is how you see things. Everything else is out there and the happenings out there are not something to overly concern yourself with because it doesn’t impact you. Well, I’ll argue that because it is out of our purview makes it all the more important to bring it in our view; because what happens with the moon, sun and the other side of the earth does impact us. On the largest scale this becomes all the more apparent when asteroids are poised to strike our planet, on the smallest scale the spinning of our planet causes winds, winds that carry everything that we express into the air. Winds that all creatures share in breath. That from earth the sky looks vast and seems impossible to fill it with things that change it. Which from space this ocean of air looks extremely fragile – seen as a thin line that just barely covers the surface of the planet, protecting everything on earth from certain death of the harshness of space.

We often have the perspective of being on earth and everything else in the cosmos is out there, far in the distance. But not only are we of the cosmos, with our molecules originating from the “chemically enriched guts” of an exploded ancient star, we are very much in Space right now. Some describing this as being on Spaceship Earth “…finite and lonely, somehow vulnerable, bearing the entire human species through the oceans of space and time.”- Carl Sagan

Knowing all this it seems awkward to not describe our relationship with the cosmos in a way that reflects this.

To engage in a way that brings all these interconnections into focus aids in not only feeling that connection, that is described in many various ways through philosophy and religion; but in this feeling brings to the forefront a need to work interconnectedly for the well being of ourselves through the well being of the planet. That is the root reason for the topic of ‘referencing the sun’ to establish that interconnection of the cosmos beyond the experiences of our immediate location. “The beauty of seeing earth as a planet as opposed to being down here among it is a wonderful experience – to then start to get into what we call the big picture effect or overview effect.” – Edgar Mitchell, Apollo Astronaut. The overview effect has been described as follows, “to see things that we know but don’t experience which is that the earth is one system, we’re all part of that system, and that there is a certain unity and coherence to it all.” – Frank White.

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The Adventures of Theia

March 3, 2013 by Categorized: Restorying the Sacred.

Being me is pretty awesome, thought Theia. And it was. Ze went where ze would, pulled a bit by gravity, pushed a bit by hir own momentum, but generally heading wherever fancy took hir. Ze orbited no star. Ze danced with no partner.

But gravity likes playing pranks, and one day, Theia realized ze was heading fast toward a planet. Ze struggled and strained, but ze couldn’t get away from that gravitational pull. “Hold on!” ze yelled to the planet. Then ze shut hir eyes.

illustration of Theia's impact with Earth

Tierra2 by Memomiguel, 2012, via Wikimedia Commons. Some rights reserved.

The impact was enormous. Pieces of Theia shattered and bounded, shivering into tiny shards or zooming into space. Ze tried to get up, gather what remained of hirself, and go on hir way, but ze was embedded in that planet. Ze groaned and wailed. Who was ze now, with so much of hirself disintigrated or lost? Who was ze, who had once wandered the galaxy, if ze was trapped in a planet? Despair filled Theia, and for a long time ze moped in solitude.

Slowly, ze began to notice that the planet was…looking at hir. Ze peeked around and realized she had plowed a very large hole into the planet’s surface. Ze blushed. “Um…hi,” ze said.

“Hi,” said the planet, sounding just as embarrassed. “I’m Gaia.”

“I’m Theia,” ze said. “I’m sorry I ran into you.”

“I’m sorry I couldn’t get out of the way.”

Theia tried to look around, but ze couldn’t see much, scattered as ze was. “Was it terrible?”

Gaia shrugged. “It hurt for a while. And a big piece broke off.”

“Of me, or of you?”

“Both.”

Theia felt around, but so much of hir was missing, it was hard to tell. “Where did it go?” Ze followed Gaia’s gaze into space, where a new form spun around, orbiting them, waving dizzily.

“Ze says hir name is Luna,” Gaia said. “I like hir. Things are…better, with hir around.” Shyly, Gaia added, “They’re better with you around, too.”

“But what about me?” Theia demanded. “If I’m up there with Luna, and if I’m in a million tiny pieces in you, where am I, really? Who am I?”

Gaia didn’t seem nearly as distressed by this conundrum as Theia felt. “Well,” ze said, “you’re you. Only…here.”

Over time, Theia’s come to admit that being here is…nice. Interesting things happen in Gaia’s neighborhood, things Theia never would’ve seen if ze’d kept on zooming through the galaxy. And Gaia hirself is excellent company, constantly creating new landmasses and lifeforms to keep them entertained.

Theia misses hir roaming ways sometimes. But then ze looks into space, and Luna waves, and Theia thinks, I was part of that. I helped make that. Then ze smiles, checks in on the little pieces of hirself scattered about, and settles down to wait for the next adventure awaiting hir here.
_________________

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The Pull of Home

February 11, 2013 by Categorized: Restorying the Sacred.

Winter was coming, and the godwits prepared to fly.

“Eat up, Fledgling,” said Mama, urging more food upon hir, “for the journey is long, and you’ll need energy.”

“Rest, Fledgling,” said Papa, though the Zugunruhe weighed heavier each day, “for the journey is long, and you’ll need endurance.”

“How do we know where we’re going?” asked Fledgling. “How will we find the way? How will we know when we get there?” Ze had been born here and did not know the way to the Wintering grounds.

“We have gone there for many generations,” said Mama. “Stay with us, and you will know the way, as well.”

“How will we know when it’s time to leave?”

“The shortness of the days and the unbearable restlessness will draw us on,” said Papa.

One morning, the godwits awoke and knew the time had come to fly. In a great mass they ascended, wings beating against the sky, chirping calls urging, “Now! Now!”

Photo of bird flock landing.

Limosa lapponica Landing – Orielton Lagoon. Photo by JJ Harrison via Wikimedia Commons. Some rights reserved.


For many days they traveled together. Over valley and mountain, over river and desert. They greeted other birds on the move, twittered at Upright Folk who shaded their eyes to watch them pass, teased and tumbled with the Winds. But still Fledgling had little sense of where they were headed or how to get there; ze could only follow Mama and Papa.

One evening, a powerful storm arose. The Winds breathed in deep and blew out hard; Rain lashed and buffeted. Fledgling cried out, but ze was young and untried and fell behind. By the time the storm subsided, ze could see no other godwit.

Fledgling fluttered to the ground, dejected. Ze’d done all ze could to stay with hir flock. But what to do next? Ze waited and thought, and waited and thought. Once upon a time, ze reckoned, there had to be a godwit who first made this journey. They had no one to follow who knew the way. How did they do it?

Slowly, as fear subsided, Fledgling began to notice a pull. Ze couldn’t say where it came from; it felt like a small, sure pull from within, but also like a great big pull from without. Both urged hir along like great, glowing arrows saying, “This way! This way!” And so Fledgling beat hir wings and flew this way, this way. Long ze flew, with no way to know if ze went in the right direction, or if the pull were true. Ze could only trust this puse within and without–this way, this way.

Then one morning, ze spotted two familiar shapes above the horizon, flying slowly away. “Mama!” ze called. “Papa!”

They slowed further to wait. “Oh, little one!” they exclaimed. “We knew you would catch up to us.”

“But how?” Fledgling asked. “How did I know the way? What is this pull I feel?”

“It is the call of Gaia,” pulling us home,” Mama said. “All Migrating Folk have it. In Summer, when we chafe in the lengthening days, it will turn us around and nudge us back. We can never be truly lost upon this Earth.”

“Traveling and exploring are wondrous things,” said Papa, “but to return, at journey’s end, to the home that calls us, is perhaps the finest journey of all.”

They flew on together, pulled toward home.

__________________________________________________

Bar-tailed godwits have the longest nonstop migratory journey of any bird. They also have awesome flight calls.

The mechanism of magnetoception (or magnetoreception) in birds is still being studied and debated, but it’s totally a thing. A really cool thing.

Zugunruhe is a German word meaning “migratory restlessness”. German has the best words for everything.

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Colloquial Quandaries: Referencing the Sun

January 8, 2013 by Categorized: Natural Reflections, Restorying the Sacred.

This is a new addition to a set of non-linear series first addressed in Blog Beast. Colloquial Quandaries is a sub-series of Cultural Quandaries in that it specifically addresses the colloquial in our culture – our way of speech.

East Bluff Dawn by Rua Lupa

In this addition of Colloquial Quandaries the topic of referencing the sun will be discussed, particularly the common phrases ‘sunrise’ and ‘sunset’.

The Cosmos series narrated by Carl Sagan in episode 10, minute 44. (It is best viewed from minute 32 to have a good understanding of the circumstances of the time in reference and its influence in modern times.) Tells of how a Greek philosopher by the name of Aristarchus (310 BC – ca. 230 BC) deduced that the earth turns on an axis and goes around the sun along with the other planets. But the people of the time suppressed this revelation which later had been brought up again and credited to Copernicus (19 February 1473 – 24 May 1543) which referenced Aristarchus in his manuscripts, but suppressed the reference in the published version. It has been 2200yrs since Aristarchus’s time and we still reference our world as if the earth is the center of it. We talk of the sun rising and the sun setting. Our language still portends that the earth does not turn.

Am I making a big deal out of nothing? That is a possibility. Yet I argue that terms and their associations can have unintended profound impacts on society. History already shows this with Aristarchus and the lack of acknowledgement of his findings – ‘the sun rises, everyone knows that’. Its not too hard to imagine this to occur again when so many people already easily forget world influencing history. History has a habit of repeating itself when not ingrained in the cultural memory. Sunrise and Sunset is what is still ingrained in the cultural memory. Most everyone under the age of 13 (perhaps even 14) believes that the sun rises and sets, and don’t question otherwise because that is what everyone around them says. There are also a surprising number of adults who have forgotten this not long after their school years, slipping into accepting what is said – the sun rises. Hypothetically, if there were to be a sudden global catastrophe (i.e. An asteroid) or societal crash (i.e. The Dark Ages) where society would have to build up again like that from the loss of the Library of Alexandria, at least there would be less to build up from if the colloquial terms are accurate to reality. The commonality of these phrases in our language make it another hurdle in learning about how our world works. And it is an unnecessary one.

I believe that a new phrase or term, what ever it may be, that is true to the nature of things will greatly aid in our society connecting to the greater world and universe. Having a better intrinsic understanding from early on in life gives an early start to being able to grasp the bigger picture – one less wall to climb in having to reassess our world view of how things work. There is much more to gain than lose in such an endeavour.

Should we not try to encourage our language to be accurate to what is really happening?

What word or phrases could we use instead?

Are there other terms used with regards to the sun, earth, day or night, that are misleading?

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Answering the Call

December 20, 2012 by Categorized: Restorying the Sacred.

In the dark, dark deep, deep, lived Acropora nasuta. It was a slow, quiet kind of life, which suited hir fine. Ze had warmth, and space to grow, and neighbors living in and around hir arms. The only neighbor ze didn’t like was the seaweed that grew all over everywhere, taking up too much space and blocking the light.

Over long days, the ocean started to change, and the change did not favor A. nasuta. Ze started feeling smaller and weaker. The seaweeddidn’t seem to mind at all; ze grew in thicker mats and spread further out. One day, when A. nasuta felt particularly dizzy and weak, ze felt around and realized that the seaweed was growing on hir–and it was making hir very sick.

The poor, sick coral tried to shout for help, but ze had no voice. Ze tried to wave for help, but the neighbors assumed ze was just being friendly. Finally, ze sent out a chemical distress signal, and ze waited.

In no time at all, broad-barred goby and redhead goby swam out of A. nasuta‘s arms. “We got your signal!” they said. “Whatever is the matter?”

Broad-barred goby in coral reef

Gobiodon histrio (broad-barred goby) by Dr. Oliver Schneider, via Wikimedia Commons. Some rights reserved.

“Oh, this seaweed!” cried A. nasuta. “It’s absolutely everywhere, and I feel so weak. Can you do anything about it?”

“Of course,” said the gobies. “That seaweed’s no trouble for us! We’ll clear it out for you.” They zigged and zagged and nibbled and nipped, and the seaweed fell away and retreated.

“Thank you,” A. nasuta said. “I’m beginning to feel better already. How can I repay you?”

“We’ll have to think about it,” said the gobies, and away they swam.

Some days later, as the gobies were returning home after a long swim, A. nasuta asked if they had thought of a payment for their help.

“You’ve paid us already,” they said. “The seaweed may be poison to you, but it made us stronger and helped us fight off our enemies. If you’ll keep letting us keep the seaweed under control, we’ll both be happy!”

A. nasuta gladly let them continue, and they were both very happy, indeed.

——

“Seaweed-threatened corals send chemical SOS to fish”, a tale of Acropora nasuta coral, Chlorodesmis fastigiata seaweed, and the goby fish who love them both (or at least benefit from them both) in the December 1, 2012 issue of Science News.

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People of the Story: Carl Sagan

November 9, 2012 by Categorized: Restorying the Sacred, Science & Spirit.

Today would have been the 78th birthday of American scientist, author, and all-around amazing man Carl Sagan. About a year ago, Lupa wrote a wonderful post on Dr. Sagan’s influence on her relationship with this world we are in, and I would be remiss if I didn’t add my own voice to the chorus of Pagans Whose Worlds Have Been Rocked by Carl Sagan.

Carl Sagan

Carl Sagan. Photo by NASA via Wikimedia Commons.

I came late to the love-fest, sometime in my late twenties. If I could tell you the exact date, I would, because it strikes me as a momentous date. I just remember coming out of my bedroom one January evening to the sound of a man who sounded distressingly like Jim Henson talking about medieval monks (don’t judge me; my hearing has never been my greatest asset). The voice belonged to Carl Sagan, and this was my introduction to the Cosmos series. By the end of the episode, I was hooked.

Week after week, my wife and I would cuddle on the couch with mugs of hot chocolate and let Sagan lead us on an amazing journey of discovery throughout the Cosmos. I was familiar with some of the concepts; others were new to me; but pervading it all was a sense of the universe that I’d seldom experienced: a place, a thing, a being of such wonder and beauty in and of itself. Not worthy of reverence because some deity or other had made it, not worthy of care just because we live here. Inherently worthy simply by virtue of its existence.

That was, to badly misquote Tom Stoppard, “the crack that flooded my brain with light”. It turned my Paganism in a whole new direction, a direction more deeply rooted in now and here than anything I’d explored before. This in turn has brought me to a greater sense of commitment to both my place and my spirituality and is one of the bedrocks of my spiritual environmentalism.

My wife read the Cosmos companion book before I did; it is delightfully full of highlighted passages and dog-eared pages she wanted to draw my attention to. One of those pages is in Chapter 13, at a place where Sagan tells the entire freaking history of everything, from just after the Big Bang through the evolution of humankind, in the style of a religious creation myth. I absolutely will not subject you to all of it, but it starts like this:

For unknown ages after the explosive outpouring of matter and energy of the Big Bang, the Cosmos was without form. There were no galaxies, no planets, no life. Deep, impenetrable darkness was everywhere, hydrogen atoms in the void.

and it ends like this:

And then, only a moment ago, some small arboreal mammals scampered down from the trees. They became upright and taught themselves the use of tools, domesticated other animals, plants and fire, and devised language. The ash of stellar alchemy was now evolving consciousness. At an ever-accelerating pace, it developed writing, cities, art and science, and sent spaceships to the planets and the stars. These are some of the things that hydrogen atoms do, given fifteen billion years of cosmic evolution.

Well, dang. Sagan’s work had inspired me again. That story, that reminder that epic tales need not be solely the province of heroes and gods, and that the amazing Mysteries of the natural world needn’t be conveyed only in dry, technical prose accessible only to scientists. I mean, seriously. Do you know what plants can do? What zany single-celled organisms living in ocean vents can do? What the human body can do? I’m not even a professional scientist, just an avid amateur, and still, every day I find something new; every day I am struck anew with wonder. With reverence. Carl Sagan, who believed that every scientist should approach their work with a sense of wonder, gave me that gift. Planted the seed that eventually flowered as “Restorying the Sacred”.

I suspect Dr. Sagan would be quietly, amusedly appalled by we, the small company of “Sagan’s Pagans”, who draw so much inspiration from his work. After all, he seldom had much praise to offer religion. And yet I like to hope that, ultimately, he might have come to some understanding that we share his reverence for this Earth, and this Cosmos, just with more candlelit rituals and less differential calculus. After all, in Pale Blue Dot he wrote:

A religion, old or new, that stressed the magnificence of the Universe as revealed by modern science might be able to draw forth reserves of reverence and awe hardly tapped by the conventional faiths.

Though many of us build not from science alone, but also from the experience of our own senses, I feel–I hope–that we draw forth these reserves of reverence and awe in our Pagan practices. The ash of stellar alchemy has evolved consciousness. I hope we have done well by that gift–and by Dr. Sagan. Happy birthday.

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Prometheophyta

November 1, 2012 by Categorized: Restorying the Sacred.

When the children of Gaia were very young, they were very small, and life was very easy. They drifted about, splitting themselves in two from time to time and taking their nourishment right from their liquid home. All around them, Sol’s rays beamed down, but they didn’t particularly notice. Sol tried not to feel disappointed about that.

But after long days, the liquid home began to feel a bit thin. The children of Gaia had eaten so much from it that it no longer had the nutrients to feed them all. “What will we do?” they cried. “There are so many of us, and we are so hungry!”

One of them looked around. The view was rather limited in those days. There was the liquid, and the children of Gaia, and Sol’s rays, and that was pretty much it. Hmm, ze thought, I wonder. Ze reached out and tried to snag a piece of that Sol-ray and eat it up.

plant cells with chloroplasts

“Plagiomnium affine” by Kristian Peters via Wikemedia commons.

Ze failed.

But another one caught on. Ze reached over, grabbed a bit of a ray, and chomped.

Ze failed, too.

Soon, many of the children of Gaia were trying to turn those Sol-rays into food. “Aren’t you worried?” Luna asked Sol. “They’re bound to figure it out one of these days.”

“Why should I worry?” Sol said. “I’m not using it anymore. Someone else should get some use out of it.” Sol blushed a little. “Plus, I rather like the attention they pay me now.”

Sure enough, one of those days, one of the children of Gaia figured out how to take that Sol-light and feed itself. Ze taught it to a friend, who taught it to another friend, and soon there was a whole lot of them who knew how to eat Sol-light. Sol liked that someone had found a good use for hir light, and the children of Gaia grew bigger and stronger and had plenty to eat, and they thanked Sol over and over and turned their faces to hir in such gratitude.

And so do their descendants to this day.
_____

(As we say our sad farewells to Alison Leigh Lilly, I also say “Happy anniversary” to Lupa and myself, who officially came aboard the Good Ship NUP one year ago today, and congrats to Lupa on taking up the administrative mantle. Here’s to another great year!)

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In Your Name: a call to action

September 22, 2012 by Categorized: Restorying the Sacred.

Gaia, may we rise up with the inspiration of Spring

Gaia, may we step forth with the passion of Summer

Gaia, may we open with the compassion of Autumn

Gaia, may we persist with the patience of Winter

Gaia, may we move ever deeper in the Spiral of the Years

Earth from s
Earth from space. Photo by NASA.

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Rainbows: a love story

August 17, 2012 by Categorized: Restorying the Sacred.

You wouldn’t know it now, but time was, Light and Water didn’t get along at all. Light thought water was a show-off, racing through the air, messing with its matter-state, and splashing everything. Water thought Light was a wimp: it couldn’t decide if it was a wave or a particle; lots of things were too dense for it to shine through; and it was plain, boring white. Each understood the other’s importance in the life of Gaia, but they stayed away from each other’s as much as possible, especially during a rainfall. Light faded while Water painted Gaia’s surface with its droplets, and when Light came back, Water evaporated up to the clouds to avoid it.

One day, a steady rain had begun to fall when Light realized it had forgotten something dreadfully important on the ground. It turned itself on to see the spot and ran into Water in its tumble toward Gaia’s surface.

“Hey!” Water shouted as it fell, “what’s the big idea?”

“I’m sorry,” Light said, “but I desperately need something down here, and I must be able to see.”

“You’re in our way!” Water said.

“Maybe,” Light replied, peeved, “if you didn’t take up so much space, you wouldn’t be in everyone’s way, and we wouldn’t run into you.”

“I am part of almost everything,” Water said. “You’re in my way!” Water sent a big, round droplet careening into Light.

The collision pushed Light in a different direction, deeper into the raindrop! Light felt all broken up, no longer the strong, steady presence it prided itself on being. Now it was colors, bold, dazzling rays of color, racing toward the back of the droplet.

But it didn’t escape out the back. It bounced again and zoomed off in a different angle. I could end up bouncing around in here all day! Light thought. It concentrated all its might and pushed itself through the side of the raindrop it had come in through.
diagram of light refraction and dispersal inside water droplet
Light quivered in relief at its freedom. But it hadn’t come through its journey unscathed. On the way out, it had refracted further, pushing its colorful rays further apart. How embarrassing, to be seen in public this way! Light tried frantically to pull itself together.

“Light?” Water sounded confused. “Is that you? You look…different. Beautiful.”

“I’m beautiful all the time,” Light said.

Water considered this. “Yes,” it said, “I suppose you are. But I never truly noticed before. The colors are amazing. May I do that again?”

Now that the shock had worn off, Light had to admit it had enjoyed the adventure. And the colors were lovely. “All right,” it said.

They chased each other about, Light beaming into Water, Water splashing into Light. Light dazzled Water with its color. Water left Light breathless with every tumble.

Fern looked up to see what the fuss was about. “Light and Water,” it called, “look what you’ve made!”

They had made a giant arc of colors, stacked on top of each other, seeming to stretch from one horizon to the other. It was glorious.

Light and Water smiled at each other. “Look at that,” they said. “We make a pretty good team.”

rainbow in Brattleboro, VT

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Sounds and Symbols of the Story

July 28, 2012 by Categorized: Restorying the Sacred.

We live in a Cosmos, and on a planet, far vaster and more complex then the human brain can truly grasp. How freakin’ cool is that? And so we do what we can to make it comprehensible to ourselves and each other through symbol, sign, and simile. In “Restorying the Sacred”, I do it with words. Others find other amazing ways.

Scottish composer Stuart Mitchell is one of several musicians and composers who have adapted parts of the human genome as music. This is the sound of our DNA.

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Jim Wilson and David Carson created “God’s Cricket Chorus”, which superimposes the normal sound of crickets’ chirps over a track of those same chirps “slowed down to match and mirror the length of the average lifespan of a human being”.

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Bartholomäus Traubeck put a cross-section of a tree on a turntable to hear the song of its life.

The late Anne Adams painted “Unraveling Bolero”, a visual adaptation of Maurice Ravel’s legendary composition. As it happens, both of those were manifestations of something much more complex going on in Adams’ and Ravel’s brains.

Anne Adams' graphical representation of Maurice Ravel's "Bolero"

 

This is how humankind knows itself in the world. We live in the Story. We tell the stories. What a glorious life. What a glorious place to live it. Blessed be.

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The Lonely Corn Field

July 13, 2012 by Categorized: Restorying the Sacred.

Once upon a time, and for as long a time as most could remember, the field was a bustling neighborhood. All manner of plants lived in it. Around them lived teh insects that pollinated them, the minerals that fed them, and they animals they fed. Season after season they cycled ’round. It kept the field interesting and made it feel alive.

Then one day, as these things are reckoned, one of the Upright Folk came to the field and tore up all the plants who lived there. In their place, ze planted Corn. Just Corn. Ze planted Corn the next year, too, and the year after. The year after that, ze cleared out an adjoining field and planted Corn there, too.

Around the edges of the field, the plants and animals and insects and minerals who remained looked on in dismay. They loved Corn, but two fields filled with Corn and nothing else? Who ever heard of such a thing? They felt sorry for the animals and insects who weren’t getting fed, for the minerals who’d packed up and slunk away, and even for Corn itself, who must be lonely with only itself to talk to.

After many years of this, a stranger came to the field. A bacteria. That bacteria had a look around and made straight for the field. “I’m mighty hungry,” it said.

“What do you like to eat?” asked that generous corn.

“Corn,” said that hungry stranger.

The plants and insects and animals and minerals on the fringes looked on in horror. They had among them plants who could’ve given Corn a warning about that hungry bacteria, minerals who could slow it down, and insects who could eat it right up. But they could do nothing. Some simply could no longer enter the field. Others found the all-corn environment quite hostile to their needs. They could only watch as that hungry bacteria ate up their friend Corn.

When the Upright One saw what had happened, ze wept and cursed hir fate. Ze vowed next time to plant special Corn that had been made to resist the

Corn fields with path

“Corn Fields” by Victor Bayon. Some rights reserved.

hungry bacteria. The community on the fringe shook their heads. Ze hadn’t learned. Another hungry bacteria, or virus, or fungus, would come along soon. Preparing to face your next opponent by making yourself invulnerable to the last one? Who ever heard of such a thing?

At last, after many years, the field was exhausted. And Corn was exhausted. The farmer called the soil “dead” and abandoned the field.

The community began to return. Slowly at first, creeping in at the edges so the Upright One wouldn’t notice. Then in droves as the minerals spiffed up the soil and the pollinators started carrying messages again. Once again it was like once upon a time.

And I am happy to say that when the Upright One saw the field thriving again, ze learned about companion plantings and crop rotation now only sees fields of endless Corn in hir nightmares.

The field was a bustling neighborhood again. The field felt alive again.

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Loving the Broken

June 12, 2012 by Categorized: Restorying the Sacred.

Lake felt awful. All sorts of chemicals were being pumped into it, and nonnative species wreaked havoc on its equilibrium.

And Lake was lonely. Many animals who had once come to its shores to drink stay away now, because the water was no longer healthy, and the invasive species weren’t as friendly as the natives.

One day, one of the Upright Folks stood on Lake’s sheer, staring in dismay. “I swam in this lake as a child,” ze said. “I loved its clear waters. We have to do something.”

The Upright One gathered hir friends and neighbors who loved Lake. They wrote letters, held meetings, organized cleanup days. They fought for Lake’s health and slowly began to restore it. They forced those responsible for the chemical dumping to stop. They sent the invasive species back home and enticed the natives to return. And they visited often, honoring Lake as gently as they knew how.

Lake felt restored and surrounded by love, now that it was no longer so alone. Communicating with the Upright Folk was seldom easy, but Lake had to try. When the Upright One Lake thought of as its own returned next, Lake said, “Thank you.”

Realizing Lake was speaking to hir startled the Upright One, but ze smiled. “You’re welcome.”

What Lake had to ask next, it could not ask in words, but it got the message through somehow. Why did you do it?

“Because I love you.”

How could you love me when I was broken?

Legs of a person by a lake.

"Lake" by toriewearsprada. Some rights reserved.

“I loved you all the more because you were broken,” ze said. “When you seemed perfect, I took you for granted. But when I saw that you had been damaged, my heart went out to you, and it spurred my love into action.”

The Upright One returned to hir home soon after, but ze had given Lake much to think about.

Many days passed. The Upright Folk continued to visit Lake, but not the one who had loved Lake so much. But Lake didn’t worry; the Upright One had hir own life to lead, and so did Lake.

Until, one day, the Upright One did return. Ze looked awful. My friend! Lake exclaimed, what’s wrong with you?

The Upright One looked angry and impatient. “It’s just this stupid body, Lake. It’s injured, and it’s taking forever to heal. I’m so tired of the pain. I wish my body would quit messing around and get better.”

Now, Lake understood pain and injury. But it couldn’t understand the Upright One’s impatience with hir healing, and the lack of love ze seemed to bear hir own body. You loved m all the more when I was broken, Lake reminded hir. Shouldn’t the same be true of this body you are?

“It’s different,” the Upright One insisted.

Why?

“Because you’re Nature. You’re sacred.”

You are not apart from Nature. Aren’t you sacred, too?

The Upright One had no answer, because ze had begun to realize that Lake was right.

When you seemed perfect, you took yourself for granted, Lake told hir. Now that you have been damaged, it should spur you into action—and perhaps greater love, as well.

“Easier said than done,” ze said.

Lake acknowledged that this was so, but still the need for this love remained. The Upright One returned to hir home soon after, but Lake knew it had given hir much to think about.

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The Phenology Journal

May 24, 2012 by Categorized: Restorying the Sacred.

November 19, 2011: First snowfall (1/2″ accumulation)

It’s a beautiful, hand-bound journal, covered with a woven mat of banana fiber. The paper inside is crinkly and clearly hand-made. For the longest time, it sat empty, its pages demanding to be used for something more enduring than my illegible daily scribbles and half-remembered dream fragments.

March 20, 2012: Daffodils in bloom at Capitol.

“To know my place.” I use it as a watchword of my spiritual practice. It has other cultural connotations, relating to not attempting to rise above one’s station in life, which is unfortunate, because it’s the perfect encapsulation of what my Paganism is about. Knowing my place. Or rather, my places. The places I live. The places I visit. The places of this body I am. My spirituality in a nutshell.

The question of how I go about this knowing, well, that’s the whole rest of the nut and the tree it grew on. One I’m starting to explore is the phenology journal.

Phenology studies plant and animal life in a single location, over time (often decades or even centuries) to study how they change from season to season and year to year as the climate changes

March 6, 2012: Food trucks return to Capitol.

Since I’m a city Pagan, my phenology journal includes human phenology, as well. My next-door neighbor on the back deck with his guitar. Outdoor seating taken in at the cafe down the block. In my small ways, I reclaim my understanding of humans as a part of Nature, rather than apart from Nature.

May 15, 2012: First house centipede.

Phenology isn’t just about the “pretty” parts of Nature. Creepy-crawlies sneak inside the house. Animals kill each other outside of it. Emaciated feral cats prowl our street. Nature is not always kind, as most humans perceive kindness, but it has its rhythms, and even the ones we cannot bring ourselves to love are sacred.

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April 1, 2012: Snow Emergency season ends. 0 snow emergencies declared in Minneapolis.

Sometimes order is human-imposed and happens regardless of what Nature does, but much can be learned from this, too. Snow emergency season in Minneapolis ends on the first of April each year, even if, as it often does, many inches of snow loom in the forecast. As an arbitrarily chosen deadline, it lacks some of the telling power of other phenology observations, but noting how many snow emergencies the city declared in a given Winter can sometimes be as useful as knowing when the first and last ones occurred.

My own phenological study, begun with that first snow last November, has ages and pages to go before it begins to reveal the patterns that naturalists and climatologists look for. In terms of spiritual practice, though, I believe it will begin to bear fruit much more quickly. Knowing that the crabapple tree in my front yard will blossom in mid-April could help me plan a “Welcome, blooms!” ritual. Noting the exact date that we first spot raspberries in the bramble has me turning to recipe books for cooking spells.

But what’s in it for me, personally or spiritually, isn’t what this practice is really about, isn’t what makes this a practice worthy of that gorgeous journal. By observing, recording, and knowing the cycles of the other lives that surround ours at every second, we become more deeply entangled in the web of life and its magic, and we understand ever more fully the dangers inherent in plucking or cutting any one of its threads. We are not the Story. We are just one telling. Others go on around us all the time, and the more attuned we are to those storytellers, the richer all tellings become.

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The Last Days of Pangaea

April 30, 2012 by Categorized: Restorying the Sacred.

Pangaea was a supercontinent, and it knew it. In fact, Pangaea was the most super continent, and it knew that, too. Islands? Tiny. Atolls? Please. If you couldn’t be a supercontinent, you might as well not be above water at all.

“Never mind Pangaea,” the mantle told itself. “We’re far bigger than any continent, and our convection does important work moving minerals around and about.”

Pangaea scoffed. “You may be bigger,” it said, “but who can see you? And your convection is so slow, who knows it’s happening?”

a of the supercontinent Pangaea

Pangaea, via Wikimedia Commons. Some rights reserved.

But the mantle kept its convection currents moving, heating and cooling Gaia’s minerals, and it didn’t pay any mind to Pangaea’s taunting. It knew that Pangaea wasn’t the first supercontinent, and it probably wouldn’t be the last. “Supercontinents come and go,” the mantle said, “but convection perseveres.”

One day (and Gaia’s days are very long, indeed, as we know), Pangaea looked at itself and noticed a rift across its middle. Because Pangaea was so big, it was acting like a giant lid that prevented Gaia’s heat from venting, and that head was causing Pangaea to buckle and break. “Well, it’s just a scratch,” it said. “I’m still a supercontinent. In fact, I’m the only supercontinent.” And it went about its life.

But the rift got bigger, stretching day by day across Pangaea’s middle. And as if the crack itself weren’t bad enough, the convection currents were starting to pull the rifting pieces away from each other. Pangaea had no idea what to do. It was the biggest, baddest, most important landmass above water. What would it do if that were no longer true? Who would it be if it wasn’t Pangaea anymore?

“Mantle! Mantle!” Pangaea cried. “I’m breaking apart! Can’t you stop your convections?”

“I’m sorry,” said the mantle—and meant it. “But I have important minerals to transport. I’m sorry it’s changing you.”

It was changing Pangaea; anyone could see that now. At last, with a long, mighty heave and groan, a piece broke off, and the convection current began to carry it away.

Pangaea’s heart broke with its crust. It was no longer the most super continent above water.

But then Pangaea looked around. It could see everything that its parts could see. New views! New perspectives! Water rushed in to fill the hole, creating new oceans. The surface of the planet fractured and transformed, kaleidoscopic, breaking up old ruts and making way for change.

Pangaea smiled, and its slowly drifting parts smiled, too. It was no longer a supercontinent, but it was all continents. And that was super, too.

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The Virus and the Jumping Gene

April 10, 2012 by Categorized: Restorying the Sacred.

Oh, that wily virus was back again!

DNA was hopping mad. It had tried everything it could thing of. It had sent antibodies to surround and isolate the virus. It had shut down normal cell process so the virus wouldn’t have anything to do (and wasn’t that a disaster!). It had even dispatched T-cells to kill the virus. But that rascal virus kept changing, kept dodging, kept sneaking back in.

DNA wasn’t mad at the virus. It needed a home like every other living thing. But it was a thoughtless tenant, trashing its residence and then abandoning it for newer climes. This was DNA’s home, and it couldn’t let that virus destroy it. It wasn’t as if DNA could pack up and move somewhere else.

ear of corn with variagated kernels, demonstrating transposable elements

Mu transposon in maize, by Damon Lisch.

But then DNA got to thinking. Maybe it could go somewhere else. Hide somewhere a while. Make that virus scratch its head. “I know,” DNA said, “I’ll jump!” DNA worked, and it copied, and it sent that gene leaping to a different part of the genome.

Well, that jumping gene felt pretty proud of itself. It had snuck away from the virus, and that virus would need a long time, indeed, to find it again. Glad that it had done some good for its host and its genome, it did what all genes do: it danced.

But…what was this? Around it, other genes were doing the dances they had been born to do, and those dances looked very different from the ones from where the jumping gene came from. The jumping gene wondered what would happen if it did its own dance here. Would its dance fit in with the others?  Would its dance do what it was supposed to do?

“Well,” said the jumping gene, “I’ll do what I was born to do and see what happens.” It unfolded itself and waved about; it did its dance and built its protein.

But the dancers here weren’t used to the jumping gene’s dance. For it to fit in, other dances had to change. Proteins were built that wouldn’t have been otherwise, and proteins that would have been built weren’t. The jumping gene’s dance changed the genome and created a different pattern. It built something that no one had seen before.

That new thing went into the world, beautiful and unique, and took its place in the larger dance. And that jumping gene, who had thought it was only running away from something, discovered it had run toward something, instead. And it jumped for joy.

——

A brief introduction to transposons.

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On the Function of Time on the Magic of Place

March 23, 2012 by Categorized: Restorying the Sacred.

Some permutation of us travels to this camp every year: 65 to 80 Witches on a heart-shaped island in a frozen lake in Wisconsin. We reconnect to this land and each other, feeling the magic of the snow-covered landscape. The experiences I have in those five days could fill this column for the rest of the year.

Every place has its sacredness and magic–which is the whole point of No Unsacred Place–but I wonder about the function of time in the magic of place. There have been a few opportunities, over the years, to travel to “our” island in the summer months. I’ve been unable to attend, but I doubt I would’ve been brave enough to go even if I could’ve. How many times in stories do the glittering castles and glamorous gowns of night revert to dilapidated shacks and dirt-stained rags when viewed in daylight? If I visit the island in summer, would I recognize its magic? Would it recognize me?

snow-covered path through trees

Photo by Leora Effinger-Weintraub, 2009, under Creative Commons license. Some rights reserved.

Our winter gathering on the island has a contained, condensed feel, as an acorn wrapping itself in its shell. We cram tremendous activity into a short timespan, and although we have the run of the island, the often harsh realities of Wisconsin winter mean that, in practice, we tend to restrict ourselves to a few buildings, the spaces between, and, for the brave among us, the frozen surface of the lake itself. We are cradled. Cocooned. We love those places dearly, but do we truly know the whole of the place?

When we dwell in a place, we form a deep, special bond with that place. We know all of its faces and moods. We sense its rhythms and know if they are off. Seeing through its disguises, we know its continuity. Our love for it may not be glamorous, and we run the risk of that love becoming stale, but it is deep and abiding.

When we return to a place year after year, but in only one season, we form a bond of a different kind. Our relationship is to the time of our return as well as to the place. We feel ourselves connected to the place and ourselves as we are now, as we were when first we arrived, as we hope to be in the returns to come, but not necessarily to the place and ourselves as we are at different phases of the year. It can be a shallow love, but is also fierce and passionate, helping us maintain an eager newness that lessens the likelihood of taking the place for granted.

Do we stand up differently for places we love in all seasons than for those we merely pass through from time to time? If ecological catastrophe threatened the island, how would I stand up for it differently than I would my home, or than would the people who call the area around the island home? Would I dare to join whatever measures were enacted to defend it? Would I dare not to? How can we harness the best of both kinds of relationships in defense of the places that, at the end of the day, we all just want to love and treat well?

We encounter place in both space and time. Nothing is truly unchanging. We can but meet the place with our full selves, as we are at every moment, and let that moment meet us, as well.

person walking across frozen lake

Photo by Leora Effinger-Weintraub, 2009, under Creative Commons license. Some rights reserved.

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In the Beginning Was the Potential

February 28, 2012 by Categorized: Restorying the Sacred.

In the beginning was the Potential. Everything That Was—and Everything That Would Be—existed, or at least had the potential to exist. And it was all crammed into a space smaller than the smallest dot from the smallest lead of the smallest pencil (not that pencils existed yet. Or leads. Or dots).

Outside of the Potential was the Void. The Void was the unimaginably vast see of nothingness in which the Potential floated. The Void was a good home. It was roomy. It was dark. It demanded nothing of the Potential except that it be there, keeping the Void company.

But we all know what happens when a large number of creative people get together in a small space. They feed each other. Make each other increasingly more excited about getting out into the world and creating. And in the Potential there was a lot of creative energy. Not just creative people: all of the creative energy that existed or was yet to exist, all in an area smaller than the period at the end of this sentence (not that sentences existed yet. Or periods).

The Potential began to vibrate. Began to hum. Began to feel it just had to get out there and create. And it hummed louder, and it vibrated faster, and it got more and more and more excited until finally it couldn’t take any more and just BURST! out of its tiny space and into the Void.

Stellar Nursery in the Rosette Nebula

Stellar Nursery in the Rosette Nebula. Image Credit: ESA/PACS & SPIRE Consortium/HOBYS Key Programme Consortia

And there was…nothing. The Potential burst out and out, and it quickly began converting its creative energy into manifestation, and nothing impeded its progress. There was only the Void, and the Void was more than happy to stay out of the Potential’s way and let it build stars and nebulae and comets and planets. For the Potential had grown from the Void, and someday, the Void knew, the Potential would return to it.

The Potential became the Cosmos, both held by the Void and holding it. Everything the Cosmos creates, from that limitless store of creative energy that started it all, the Void ultimately takes back. And everything the Void takes back, it ultimately returns.

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An Earth Dweller’s Creed

February 12, 2012 by Categorized: Restorying the Sacred.

I believe in the Cosmos, the Mystery at the Heart of All,
Self-creating, self-organizing, self-sustaining.

I believe in Earth, a living planet, our home.
Conceived in the Big Bang,
It evolves myriad forms,
Suffers extinctions and upheavals,
But endures, adapts, and thrives.
To it all life returns;
From it all life rises up.
It makes each moment a heaven
For all who are present to What Is.
It holds the living and the dead and does not judge.

I believe in the holiness of being,
the spiritual authority of the individual,
the communion of loved ones,
the acceptance of consequences,
the recycling of the body,
and the Story everlasting.

Blessed be.

a string of prayer beads on blue background

Beauty Prayer Beads, by Donald L. Engstrom-Reese. Used with the artist's permission.

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The Squirrel and the Story

January 29, 2012 by Categorized: Restorying the Sacred.

Five crows have gathered in our backyard labyrinth on a dazzling winter morning. Our neighborhood is pretty hoppin’, corvid-wise, but our yard has never been the murder capital. I wonder what brings them here.

Then I see the sixth crow—and the squirrel. Frozen and decapitated, the squirrel is providing a sumptuous feast for our black-winged visitors.

One of my personal credos is “We are not the Story.” The Cosmos began to spin its tale aeons before any of us arrived, and it will continue to do so long after even our beloved planet is just a memory. When telling our stories of place, perspective—in time as well as space—matters immensely. Seen from the crows’ point of view, this is a story of feast and triumph. Seen from the squirrel’s, it is a one of tragedy and loss.

Or is it? The essence of what that squirrel was when alive has passed; yet, in the sustenance it provides the crows, it continues to participate in the Story. Its last chapter is, in a way, also its first (or, to stretch the metaphor, the first of a sequel): its first chapter in the guts of a crow; its first as nutrient-rich fertilizer on the ground; its first as, perhaps, a Douglas fir or a phlox plant. Altruism plays no part in the gift—the squirrel, given its druthers, would surely have chosen to continue the starring role it was playing in its own life and withhold this particular generosity as long as possible. But that does not minimize the rich story of its gift, of the future tales its death makes possible.

a crow and a squirrel

Crow Attack by Carrie Sloan. Some rights reserved.

We might all, I think, do well to consider how our physical selves will continue participating in the Story after we die. I often feel saddened by the way in which humans have unbalanced the equation. We have grown so adept at taking, yet two of our greatest opportunities for giving back to Earth’s natural cycles—excreta and remains—many cultures have sealed off almost completely. Our wastes (unless we have composting toilets…dang, I love composting toilets) rush down pipes away from us and away from any fertilizing benefit it might hold. And although there are cultures, and individuals in our own culture, who reverently place the bodies of our beloved dead in the open, to feed the other lives of their place, most of us lock them away the bodies in urns or nearly indestructible coffins that will “protect” us from the natural processes of decay and transformation.

I hope I’ll live long enough to receive burial in a natural or “green” cemetery here in Minnesota, like the one in Wisconsin overseen by Circle Sanctuary (and support the efforts of organizations like the Full Circle Project to make that happen). If I don’t, I hope that my loved ones could find something like Martín Azúa’s Bios Urn. It is my small way of trying to rebalance the equation, of making a real offering back to the Earth in exchange for all I have taken.

We are not the Story, but we participate in its telling every moment of every day, even after this particular chapter of ourselves ends. We all offer one final gift to this planet we love. May we, like the squirrel, make it a generous one.

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The First Song

January 7, 2012 by Categorized: Restorying the Sacred.

East Wind went a-traveling. As the day dawned, it heard Song Sparrow’s trill and blew closer to listen. “Song Sparrow,” it asked, “why do you sing?”

photo of Song Sparrow in tree

Song Sparrow singing by Bow Bridge. Photo by Anders Peltomaa; some rights reserved.

“Today I sing to call a mate,” answered Song Sparrow.

“Will you teach me to sing as you do?” asked East Wind.

“Alas, I cannot,” said Song Sparrow, “for you lack the syrinx I use to sing.”

“Where did you learn your song?” asked East Wind.

“From my father,” said Song Sparrow, “who learned it from his father, who learned it from his father. So long as the world has known Song Sparrows, Song Sparrows have known this song.”

“But where did the first song of the first Song Sparrow come from?” asked East Wind.

This quite stumped Song Sparrow. “I don’t know,” he said. “Perhaps he made it up.”

East Wind traveled on. As evening gathered, it heard Cricket’s rapid stridulation and blew closer to listen. “Cricket,” it asked, “why do you sing?”

“I sing to tell the weather,” answered Cricket. “The warmer the air, the faster I chirp.”

“Will you teach me to sing as you do?” asked East Wind.

“I’m afraid I can’t,” said Cricket, “for you lack the plectrum and stridulitrum I use to sing.”

Grasshopper stridulating

Striduler. Photo by mikael dusenne; some rights reserved.

“Where did you learn your song?” asked East Wind.

“From my father,” said Cricket, “who learned it from his father, who learned it from his father. So long as the world has known crickets, crickets have known this song.”

“But where did the first song of the first cricket come from?” asked East Wind.

Cricket thought a good long while. “I don’t know,” he admitted. “Perhaps he made it up.”

East Wind traveled on. As night fell, and most creatures drifted into sleep and fell silent, East Wind heard a round song, full of spheres and rings and waves, deep and quiet and impossible to separate from the trill of Song Sparrow and the stridulation of Cricket and a billion other songs sung by a million other children of Gaia.

“What is this song?” East Wind asked. “Who is the singer?”

And East Wind heard a laugh, as round and deep and quiet and inseparable as the song. “I am the singer,” Gaia said, “and this is the First Song, the one I taught Song Sparrow and Cricket and a million other beings who sing a billion other songs.”

“But their songs sound nothing like this,” East Wind said.

“Ah, so they’ve changed a note or two here and there over millennia, to keep themselves amused. But you can still hear my song in theirs.”

East Wind conceded that this was true. “Will you teach me to sing as you do?”

Photo of Earth from space

Earth from space. Photo by NASA.

Gaia smiled. “But you already do—you and the other winds, and the oceans and rocks and mountains and sky. When Mountain kisses you and Ocean holds your hand; when you bask in Sun’s heat and shiver in Night’s chill—in all of those times you sing the First Song.”

“I don’t remember that,” East Wind confessed. “Why do we do it?”

“For the love of it,” Gaia answered. “For the very fact of being! And to remember that, although the melodies change, we are all, at our cores, singing the same song. ”

East Wind thought these very good reasons, indeed, and it traveled on, singing its new, old song.

——

A 2008 article on the phenomenon known as “Earth’s hum”.

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A Song for Dark

December 17, 2011 by Categorized: Restorying the Sacred.

Once upon a time, which is not time as you and I know it, Dark and Light held equal power. They were not universally loved, this is true: some beings flourished in Light and feared Dark, while others thrived in Dark and shunned Light; but everyone understood that each was an unavoidable reality, and that each played a vital role in the life of Gaia.

Then one day, which is not a day as you and I know it, the Upright Folk came to have a bit of power in the world. The Upright Folk loved Light and dreaded Dark; Dark-loving creatures often hunted them, creatures with faster legs and sharper teeth and keener eyes. But the Upright Folk were so clever that they soon discovered ways to store Light to use in times of Dark. They crammed Dark into smaller spaces and times of day and year, until very little remained for it, and the endless celebration of Light left many of Dark’s beings dazed and disordered, blundering about without homes in a bright landscape.

Worst of all was the singing. On Light’s most powerful day, the Upright Folk sang songs of its triumph, as was fitting, but on Dark’s most powerful night, they sang only about their gladness that Light would soon return.

Dark despaired. It could think of nothing it had done wrong, yet the Upright Folk seemed determined to banish it from their lives. Dark moped and fell into a dark mood, which, since it was Dark, was very dark, indeed.

candles in a snow labyrinth on Winter Solstice night

Snow labyrinth. Photo by Leora Effinger-Weintraub.

And then, one night, which is a night as you and I know it, only much, much longer, Dark heard a new song. Some of the Upright Folk were singing songs about Dark — celebrating it! Dark listened deeper, and beneath the songs it heard a silence — a silence in its honor! Dark looked across the world, into the nests of the Upright Folk, and saw that some had turned off their clever Light devices and had chosen, through that long, long night, to sit with Dark. Dark felt loved, and Dark felt stronger.

More nights passed. More days passed. More Upright Folk sat in silence and dark. Some of their tribes even agreed not to use so many of their clever Light devices, because they missed Dark and the beings who loved it. Dark gleamed black with joy. The Upright Folk still feared it, and they would always treasure Light more, but they understood that each was an unavoidable reality, and that each played a vital role in the life of Gaia. Once upon a time, perhaps, equal power would be restored.

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What’s She Building in There?

December 4, 2011 by Categorized: Restorying the Sacred.

(With apologies to Tom Waits.)

So, let me tell you a story. It’s Lammas, and I’m sitting in an area of the Mississippi River bluff known to locals as the “Giggly Hills”, listening to a very talented Witch spin a tale about Lugh. I mean to say, this woman can really tell a story. Yet I keep getting distracted by the carpet of clover, the industrious bees, the way the breeze rustles the leaves of the enormous burr oaks…and I think, Surely these are among the deities of this place. I want to tell their stories.

The Giggly Hills, Mississippi River bluffs

The Giggly Hills. Photo by Leora Effinger-Weintraub

That planted the seed of the idea that is growing “Restorying the Sacred”. The crafting of some new science- and nature-based myths to, if I may be so bold, stand alongside the ancient tales, to add the “here and now” to the “long ago and far away”, interspersed with musings on the what, why, and what next of such story creation. After all, as John noted in the comments of “S and R Dance On”, “Our ancestors put their understanding of the natural world into stories – we should do the same.” And at this time in the human adventure, science is one of the ways in which we understand the natural world.

It’s an ambitious project, possibly fraught with peril, and one danger is of confusing the “real” with the “unreal”. After all, bees and orchids never really made any sort of co-evolutionary “deal”, and the Outcast Star isn’t flying out of the Milky Way because it paid too much attention to its binary partner. Of course, one thing I’ve learned as a Pagan is that reality has many levels; we just need to stay on the appropriate level for a given situation.

So let us make a pledge, you and I who are embarking on this journey together. Let us say:

“I, [name of choice], being sound of body, mind, and spirit, do pledge by myself and by [Divine name of choice] that I will take the stories of “Restorying the Sacred”, and any stories of my own that may be inspired by it, as metaphorical truth, rather than literal. I promise that I will not anthropomorphize the nonhuman beings around me but will acknowledge that they have their own existence that, although connected to me through the Web of All Being, has nothing to do with me. So mote it be.”

There we have it. The groundwork laid for a new adventure. Let sacred story time begin in earnest.

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